Interview
with Philippe Halsman regarding
the Pittsburgh project, 1957.
Philippe Halsman: What in the world would anybody do with 200 prints?
WES: The prints so far still represent mere portions of the chapters, incidents, sub-essays within the whole of the project --- the 200 printed are a synthesis of that whole, indicating the breadth of it.
PH: How can this be financed? Is there any way, in American today, to pay a man back for his works?
WES: Time and pay? I don't know. It is not a new problem. How long did it take Joyce to do Ulysses? Finnegan's Wake? And what were his returns? I could never be rested within myself without doing this.
PH: But what of the photographer who does not have financial means?
WES: I don't. Sometimes it seems I financed it from the lining of my stomach. As for others --- if asked, I will advise them not to do it --- and I will hope they do.
PH: What if nobody sees it?
WES: The goal is the work itself, and with any real finality, the artist is never sure if he is or isn't finished.
Edited by Sam Stephenson
©W. W. Norton Co.