---

Falling
Wings

RE: Me Is Friendly

TO: lolitalark@yahoo.com

Hello, my dear friend!

She said "I'm afraid of falling..." and he whispered "I have wings"

Me is friendly, sweet, love sports! I like someone who enjoys company, caring, kind. I like to relax as well as go out and have a good time. I am strong in my convictions and love for his family.

Do you like it? Tell me!

www.heartcombine.com/tearslove/

My partner is creative and entertaining, and serving others. He loves to travel to new places around the world and spending time outdoors. He has a good sense of humor and enjoys laughing and making others laugh.

--- Do svidaniya
Tani
chenjdd@snhd.com.cn

---

The Barnes Foundation and
Violette de Mazia

To: carlosamantea@yahoo.com

RE: The Barnes Foundation

Sirs:

In reference to your article, "Doing the Tarantella at the Barnes Foundation:" Violette De Mazia appears briefly in [the novel I am writing]. I have read magazine articles which stated she dressed in accordance to what she was teaching on any given day wearing flowered dresses when she was dealing with paintings of flowers etcetera.

My question concerns your reminiscence concerning Violette's French accent, her dress, her dancing, and the use of Beethoven's 5th. How much was truth and how much was fiction?

--- William Snyder
billsnyder@sbcglobal.net
Oakland, CA.

§     §     §

Hi, Bill:

"Doing the Tarantela" was written forty years after I studied at the Barnes Foundation. In addition, I have a flowery imagination. It is likely that I have dolled up the facts in the article. As you know, fantasy has a habit of sneaking in the back door when a "factual account" pretends to come in the front.

My vision of Violette de Mazia is static. Except for her red tinted hair (I may have just made this up) she seemed gaunt and monochromatic. If she changed her voluminous skirts to accommodate the flowers painted before us, I never noticed.

I don't think I am wrong about the tinted glasses, nor the various original paintings that she had in her house, nor my brief flirtation with the ups-and-downs of grand larceny. And the layout of the foundation and the paintings remain severely etched in my memory, the result of some fifty to seventy-five classes I took at the foundation.

Her accent did not strike me as particularly French, even though it is said she was born in Paris; it might have been Slavic, and she could have made herself up much as I have.

Her dance before the canvas, the scratchy 78 RPM version of Beethoven's Fifth Symphony, her swirling dress: these remain true, since this rather violent Violette came in such sharp contrast to her cool --- no, let's say cold --- presentations both before and after.

You ask, "How much was truth and how much was fiction?" Surely, Bill, you certainly must know, in your own experience in the craft of novels, not to say readings of such as Javier Marías, Vladimir Nabokov, Marcel Proust and the good Kinch himself that this dichotomy is one that lies as much as in the realm of myth as "reality." I can attest to the slam-bang wonder of my epiphany; as well as Violette de Mazia's kindness to me; and the hand-pushed lawnmowers (that may or may not have muttered as Joyce believed.) Beyond that, I am rendered blind, deaf and dumb by the years.

Furthermore, as you suspect in the phrasing of your inquiry, I may have fabricated the whole ball of wax and, who knows? ... maybe even myself.

--- C. A. Amantea

Go to the
article
that inspired this letter

---

Diamonds

To: lolitalark@yahoo.com

RE: Exchange

Hi :-)

I was checking out your website and saw you had good information about diamonds.

I'd like to place a few links on that page. I can send you over exactly what I'm looking for. If you decide it's a good fit we can work something out :-)

I am only interested a few words or maybe a simple words linked in your content( i don't like ads that are eyesores ).

I am sure we can work something out as far as financial compensation that will be fair.

Hope to Hear back from you!

All the best!

--- Kyra Winters
kyra@dimacc.org

---

Hi, Kyra:

Thanks for your e-mail, though we are hard-pressed to see what would be so attractive about a review which points out some of the foibles of the diamond: a scarcity that is made so by naked manipulation of the marketplace, not to say the manipulation by outsiders of the politics of certain countries unlucky enough to have diamond mines buried in their midst.

We get invitations for links all the time, from the most bizarre sources. One wanted to do dark glasses, another bathroom fixtures, and one we recall, was interested in clothing for dogs.

We apologize for not being able to help you. We are, alas, committed to being non-profit, and take pride in the fact that none of our pages are sponsored by anyone except our exasperating balance-sheet.

--- L. Lark
Ed

---

The Ethics of
News Photographers

To: poo@cts.com

Dear Sir:

Can you please tell me how to obtain permission to use the weeping man that appears on your website

https://www.krabarchive.com/ralphmag/CV/briefs.html

as part of an advertisement to be included in a newspaper?

It appears the photographer is unknown, but perhaps you would be able to tell me if copyright permission is necessary.

--- Kelly Price
Dublin, Ireland
kprice@pricewebdesigns.com

Hi, Kelly:

Years ago when the photograph first appeared, we read that it was a Frenchmen on the streets of Paris in June, 1940, the day the victorious Nazis marched through the Arc d'Triumphe. Other authorities claim it was taken on the streets of Marseilles as the French troops shipped out that month. One even has it that it is of a man viewing the French army abandoning Toulon.

Of all the photographs, drawings, and etchings that RALPH has placed on-line these last fourteen years, it is the one that continues to outdraw all the others.

We introduced the picture in our discussion of Carole Naggar's book on the photographer George Rodger. Our reviewer said,

I've often wondered about the photographer who took this astonishing shot. What did he think? What did he feel? Did he worry about invading a man's sacred space? Did he think that because he was behind a camera he had a right to extract, even gain from another man's grief? Was he weeping too? Did he excuse himself for intruding himself on the man's sorrow (capturing a sorrow that can --- even now --- capture the rest of us?)

Every time I look in the newspapers or magazines or on TV and see just such a picture --- a woman after her son has been murdered; the face of a man whose son has died in the military service; a granny who has been divested of her home by some charlatan --- I think of the photographer who suddenly appears on the scene and without permission envelops someone else's tragedy, stealing it for his own.

That you would want to use this astounding photograph as "part of an advertisement to be included in a newspaper" makes us feel uneasy. Would you not be using "someone else's tragedy" for your own purposes?

--- Lolita Lark
Editor

---

RALPH and
Sunglasses

To: carlosamantea@yahoo.com

Subject: Nice Website

Hello,

I recently found your website by simply browsing online for other good websites like yours. I run my own website called HiSunglasses.com, and I am trying to link to other sites I think my visitors might like to visit once they are done on my site.

Since my website is visited by 1,000's of online shoppers daily, I am positive many of my visitors would be interested in visiting your site once they leave mine. I figured you wouldn't mind if I link to your site since we are not competitors, and you would could have increased traffic. Please let me know if this is OK with you? Do you think you can link back to my website also? T

--- Murris
info@hisunglasses.com

Hi, Murris:

I couldn't think of an unlikelier pairing: a testy, geezer-filled, off-the-wall, sometimes otiose if not puerile on-line book review magazine ... and a purveyor of sunglasses.

Although sometimes, when I look back at some of the reviews we published in our infancy --- truly puerile --- then I think that many of our editors and writers ought to be wearing sunglasses: not to keep out the light, but to evade the literate public.

Yours in obscurity,

--- Carlos Amantea

---

Onanism
and
The Importance
of Time
[Cryptic Letters of the Month]

To: carlosamantea@yahoo.com

how iam doing the onanism and what is the denger about it?

--- Batbot Pooh

---

What Is RALPH
Promoting
????

To: carlosamantea@yahoo.com

Subject: WHAT BOOK ???

I am not signing up, at this point in time, as you and the purpose of your organization is unknown to me!!!

Please supply some information...what are you promoting??

--- John Edmonds
Adelaide, Australia
owenbrooks12@gmail.com

Hi, John:

Thanks for your puzzled letter.

What are we promoting? Damn if we can figure it out.

Many years ago, we read book reviews in magazines and newspapers that seemed to have no little pith and vitality.

They didn't come with the Sunday papers, certainly not with the Times or the Post or the Chronicle.

Mostly they appeared in the more lively magazines and newspapers of the day, from England, France and Canada: The New Statesman, The Guardian, the old Herald-Tribune of Paris, and Saturday Night magazine.

I'm guessing we are trying to promote an ancient idea: that book reviews (a more universal art form than most) should be funny and alert, remorseless to the very bad (no matter how famous), forgiving to the very new (no matter how experimental), more caring for the reader (no matter how blasé).

--- Yours in faith,
Ed